Ego-fueled ideas from
already wealthy “just business” people
(with too much money and too little heart-centered education)
© Madelyn Griffith-Haynie, CTP, CMC, ACT, MCC, SCAC
Back to the Monday-Grumpy-Monday Series
Are 21st Century Capitalists Taking America Backwards?
Each year during the Christmas Season I seek out my favorite classic Christmas films to watch again: White Christmas, Miracle on 34th Street, A Christmas Carol, and many other films that have stood the test of time with a jaded American public.
This year I finally located one of my lesser-known favorites, “A Christmas Memory,” adapted from a short story by Truman Capote, originally published in Mademoiselle magazine in December 1956, and reprinted in The Selected Writings of Truman Capote in 1963.
The largely autobiographical story takes place in the 1930s, beautifully recreating a period in the lives of the seven-year-old narrator and an elderly woman who is his distant cousin and best friend.
The evocative narrative focuses on country life, friendship, and the joy of giving during the Christmas season, and it also gently yet poignantly touches on loneliness and loss.
Now a holiday classic, “A Christmas Memory” has been broadcast, recorded, filmed, and staged multiple times, in award-winning productions. ~ From Wikipedia
I don’t particularly care for remakes. It makes me sad and more than a little unsettled almost every time the marketing for yet another remake darkens my horizon.
There is SO much writing talent that studio executives could hire to create new films. Piles of potentially brilliant new films languish unread or are returned unopened by those hot-shot decision makers.
I suppose there are remakes that improve over the original production but, for the most part, it is only through the corrupted lenses of ego and corporate capitalism that I can understand the rationale behind remakes at all.
However, I strongly prefer remakes to the rude and ham-fisted
alteration of the originals I see far too often today.
For those who don’t know
Classic black and white films were crafted by professional cinematographers – artists – who understood the interplay between light and shadow and used it to visual effect to underscore the themes of each of the scenes in those films. Some of those old films (and old black and white photos) are visual masterpieces.
Many of the films I still adore were created at a time when the use of color was either nonexistent or a new and novel technology that had not yet proven its worth as a studio investment.
I cherish the dramatic nuance in those old black and white films, which is obliterated in the colorized versions. Actually, one of the worst things about the colorization of black and white films is that what works beautifully in black and white may not necessarily work at all in color.
Related: Read more about the artistic merits of black and white films below
25 Black & White Films for People Who Don’t Like Them
Unfortunately, it is getting more and more difficult to find classic films that have not been colored over — “thanks” to money-rich and education-poor “entrepreneurs” obsessed with acquiring more wealth than most of us would spend in several lifetimes, selling their colorized versions to new “markets.”
And, since art education is no longer considered worthy of inclusion in our common-core public education curriculum, much of the American public actually considers the colorized versions better.
They actually seek them out, eager to purchase or rent – further lining the pockets of those narrowly educated, 1% just-business capitalists.
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